Colin Brant makes oil paintings on canvas, in a range of sizes from handheld to the scale of his outstretched arms. Beginning with thin washes of color, the pigment deposits in the grooves of the weave and emphasizes the texture of the fabric. Using reference materials such as linen postcards and 19 th century colorized stereoscope images, the layered colors are reminiscent of these old printing methods. Overlapping tones of dusty pinks and violets tinged with orange suggest things seen through grainy atmospheric distance as well as across the distance of time. Scumbled marks of thicker paint over these thinner layers coalesce into images. Brant isinspired by artists who use representation as a starting point for the imagination to wander, including Post Impressionists like Pierre Bonnard, early American self-taught artists, and Chinese landscape painters.

Although landscape is a recuring motif, there are a variety of subjects that he paints including animals, minerals, and celestial phenomenon. A certain range in the Canadian Rockies has been the subject of a series of paintings. Using a variety of vintage postcards which show the range from slightly different angles with different light and color situations, the paintings become a study of mutability and subjectivity. No matter the subject, things are constantly in flux or shifting between one state and another. Mountains fracture and dissolve in light, animals appear then vanish, reflections turn a landscape upside down, everything is in transformation and slipping between the recognizable and fantastical. Whether the subject is plankton or a vast fjord, the painting becomes a meditative exploration of how he sees and understands the natural world.

Seemingly out of nowhere, Rose deSmith Greenman (b. Boston, MA), began drawing exultant, radiant vessels and trees obsessively in her 70s over a period of seven years while struggling with Alzheimer's disease. Spending most hours alone, she used pencils, pens, crayons and markers to interpret her world virtuosically - creating demur, constrained drawings of her home, garden, neighborhood in Boston, and family as well as transformative works from her imagination out of saved scraps of paper from family members. Greenman's diminutive vessels and larger botanical and architectural works embody a markmaking which is woven as tightly and expressively as it possesses an all-encompassing reverence and boundlessness.

Selby Warren (1887-1979) was an Australian bushman who spent his life in the small settlement of Trunkey Creek and began making visual records of his life experiences in 1963 on found materials using brushes he made with his own hair. that are elemental and soul-stirring. Memory paintings are anchored in rural scenes of his life shearing, as a stockman, itinerant laboring, and in expressions of rural folklore; poems and ballads he liked to recall; iconic Australian landmarks and political figures, fusing his paintings with elaborate frames that are constructions. 

Discovered when he was 85 years old when a painting was seen hung at local pub the Black Stump, Warren drew a great deal of attention over a period of three years after his first exhibition at the age of 85 at Rudy Komon's legendary gallery in Sydney in 1972 - followed by exhibitions in Melbourne and Brisbane which led to much critical and media acclaim. As Komon remarked Warren was "one of Australia's greatest art finds"... "one of a half a dozen like him in the world." 

Ted Diamond made gouache paintings on paper – intense portraits, dense crowd scenes, patients in the psych ward. Exceptionally raw, emitting crackling energy and deeply affecting, through keen draughtsmanship and superb color sensibility, the work evokes James Ensor and Francis Bacon with reverberating power beyond their intimate scale.

In 1966, art dealer Stuart Denenberg was sitting in his Boston gallery on Newbury Street at the age of 22 – Ted Diamond was 27, elusive, a bit “pixelated”, walked in with his drawings. Denenberg knew what his eyes told him – the gouache paintings were special – he immediately purchased two self-portraits that to this day he lives with and admires.